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SXSW Film Review: Pretty Lethal
They may look like elegant swans in their white tutus and leotards, but underneath their costumes, these young ballerin...
SXSW Film Review: Black Zombie
Black Zombie opens and closes with a cinematic short story, shot in black and white. It’s a beautiful frame for a doc...
How the Clean Cousin of SNL Launched Catholic Punk Comedy Edie Arnold Is a Loser
Nothing can cross divides and cultural differences like comedy. That’s part of how Megan Rico, a Catholic girl from F...
Christina Aguilera, Don Toliver, Wyatt Flores, and More Reviews From Friday at SXSW
South By Music returned for day two with Sips & Sounds, country group therapy, and a look at the future of Latin music ...
SXSW Film Review: Crash Land
If you’re going to make the greatest movie of all time, you’ll need explosions, guns, fight scenes, car chases, gir...
SXSW Film Review: Erupcja
Sometimes, people come into your life and sow nothing but chaos. Like a comet blazing across a dark sky, or a jet of fi...
Photos: The Austin Chronicle’s Hair of the Three-Legged Dog Day Party, Vol. XI
The 11th-annual Austin Chronicle Hair of the Three-Legged Dog day party had the energy of a boozy kickoff, rather...
SXSW Film Review: Never After Dark
Everyone has wished at some point or other that they just be given the space to get their job done. Airi (Moeka Hosh...
SXSW Film Review: My Brother’s Killer
In the early 1990s, the remains of Billy London, a gay man who had worked in the adult film industry, were found in a d...
SXSW Film Review: Seahorse
Seahorse opens with a title card acknowledging this film might press on tender places and to tread lightly, and so it d...
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