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SXSW Film Review: Seahorse
Seahorse opens with a title card acknowledging this film might press on tender places and to tread lightly, and so it d...
SXSW Film Review: Phoenix Jones: The Rise and Fall of a Real Life Superhero
In his 2011 book Supergods: Our World in the Age of the Superhero, legendary comic book writer Grant Morrison posits th...
The Chronicle’s Hair of the Three-Legged Dog Day Party Hosts Colorful, Crowd-Moving Performances
The 11th-annual Austin Chronicle Hair of the Three-Legged Dog day party had the energy of a boozy kickoff, rather than ...
Enter the American Dollhouse
Don’t ask John Valley about the NBA. Basketball is just the latest in a list of failed distractions from the state of...
At SXSW, Ben & Jerry’s Co-Founder Preaches Progressive Brand-Building and Takes a Chainsaw to a Mock Pentagon 
When Ben Cohen and Jerry Greenfield were starting their homemade ice cream business in Vermont in the late Seventies, t...
Nostalgia for a Promised Future in Their Town
Many directors keep screenwriters off their sets, but Katie Aselton (Magic Hour) had the best reason ever for keeping M...
SXSW Panel Wonders if the American Dream Died?
Is there an American Dream in 2026? If so, what is it? And is it still obtainable as it once was for previous generatio...
SXSW Film Review: Baby/Girls
Throughout Baby/Girls, the latest documentary from filmmakers Alyse Walsh and Jackie Jesko, the tension between the pol...
Lola Young, All American Rejects, Cure for Paranoia, and More Reviews From Thursday at SXSW
South by Southwest 2026 has arrived, and this year, there’s no waiting for music. As all three tracks now run concurr...
Redefining the Education-to-Workforce Pipeline at SXSW
Experts on South by Southwest’s The Big Blur: Rethinking the Transition From School to Work panel were quick to say ...
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