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Fantastic Fest Review: The Cycle
No one expected the director of the profoundly silly ThanksKilling to create The Head Hunter, a profound meditation on ...
Fantastic Fest Review: Carrie
It may not feel like it, but there have already been multiple adaptations of Carrie, Stephen King’s 1974 novel about ...
Old City Infrastructure Becomes a Canvas on the Lake in WaterWork
For two nights this month, the Seaholm Intake Facility will become a large-scale projection surface for 15 works by 23 ...
Fantastic Fest Review: Ghost in the Cell
Horror fans tend to be very open-minded about international movies. Maybe that explains why, while Indonesian director ...
Fantastic Fest Review: The Glorious Dead
There’s a certain cadence to the films of the Adams Family. Not that they’re predictable. It’s that, even after a...
Contract Confusion Cuts Music Short at Pecan Street Festival
The B-52s said it best: “Who’s to blame when parties really get out of hand?” That’s the question that’s n...
Fantastic Fest Interview: Kylgor in the Grisly Abyss
Everybody picked up a hobby or new skill during the pandemic, and many people came out of the experience with something...
Dreaming Bigger and Better With This Year’s ATX Trans Pride
Edward West is known for slinging vinyl around Austin. He’s good, too, and has been for a while: Even under his forme...
City Council Punts Contract Debate While OK’ing Widely Approved Investments
Last week’s Sept. 10 City Council meeting was not polarizing, depressing, perplexing, or even that interesting. For a...
A Pandora’s Box of a Recipe Box 
The front porch is basically the symbol of Southern hospitality, the ideal locale to socialize on warm Louisiana nights...
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